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 Friday May 2nd and Saturday May 3rd shows for the Larsovitch - Dramachine tour!

Friday, May 2nd, OSM tapes takes over Yapi and hosts Dramachine and Larsovitch from France in its basement for an explosive live night. The ground floor decks are taken over by Grabovas and Cardinal's Grave, with a dark mood and many dusty records.

Dramachine was born in 2019 as an attempt to weave together electronic, protopunk and neo-romantic musical influences. They use synthesizers, guitars, bass, pedals, screams, typewriters, creaking, gossip and dramaturgy, in order to survive in a world of reptilian bats, ex-lovers, emotional plague and low wages. To date, they have two complete albums to their credit, several live performances, and perhaps some plans for the future.

The radicalism of minimal wave and the inner melancholy of eastern post-punk meet in an uncompromising sonic journey. Larsovitch and his synthesizers seize the decadent times and transform them into a pulse that makes bodies move.
Living machines, a voice in three languages, and a marching guitar that brings the circuits of electronic silicon instruments back to life. In these cathartic performances, the melodies – melancholic, yet deeply expressive – gradually culminate in a raw and raw punk energy. "Normal'No" is the new EP released on March 15th and forms the core of this unique musical experience.

Intertwining the radicality of minimal wave with the introspective melancholy of Eastern post-punk... Larsovitch and Synthetiseurs seize decadent times with the sole ambition of making the masses dance. The cohort of synths and other machines play live, unburdened by computers. The litanic guitar, accompanied by vocals in three languages, warms the circuits of silicon instruments in cathartic concerts, giving full space to melodic and pessimistic tunes that gradually rise towards the raw energy of punk.

NORMAL'NO - Resignation and Revolt, an ode to the outsiders, to desperate resistance, to internal clashes.
Just one year after the release of ΣΥΝΘ, this new opus still wanders through the twists and turns of postpunk, boasting sovietwave and minimal synth.

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